Monday, February 28, 2011

Public Opinion

PUBLIC OPINION

Public Opinion (1922), by Walter Lippman, is a critical assessment of functional democratic government, especially the irrational, and often self-serving, social perceptions that influence individual behavior, and prevent optimal societal cohesion. The descriptions of the cognitive limitations people face in comprehending their socio-political and cultural environments, proposes that people must inevitably apply an evolving catalogue of general stereotypes to a complex reality, rendered Public Opinion a seminal text in the fields of media studies, political science, and social psychology.

The second part describes the social, physical, and psychological barriers impeding man’s ability to faithfully interpret the world; “Chapter II: Censorship and Privacy”; “Chapter III: Contact and Opportunity”; “Chapter IV: Time and Attention”; and “Chapter V: Speed, Words, and Clearness” describe how, for a given event, all of the pertinent facts are never provided completely and accurately; how, as a fraction of the whole, they often are arranged to portray a certain, subjective interpretation of an event. Often, those who know the “real” (true) environment construct a favorable, fictitious pseudo-environment in the public mind to suit his or her private needs. Propaganda is inherently impossible without a barrier of censorship — between the event and the public — thus, the mass communication media, by their natures as vehicles for informational transmission, are immutably vulnerable to manipulation.

The blame for this perceptual parallax does not fall upon the mass media technology (print, radio, cinema, television) or logistical concerns, rather, upon certain members of society who attend to life with little intellectual engagement, because “they suffer from anemia, from lack of appetite and curiosity for the human scene. Theirs is no problem of access to the world outside. Worlds of interest are waiting for them to explore, and they do not enter”, thus:

Public Opinion argues that propaganda’s increased power, and the specialized knowledge required for effective political decisions, have rendered impossible the traditional notion of democracy. Moreover, in Public Opinion Lippman originated the phrase “the manufacture of consent”, from which the public intellectuals

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